Performance Anxiety – causes and solutions


This is a post from double bassist from Cincinnati College-Conservatory of Music student Nicholas Hart. Nick will be contributing weekly posts to the bass blog about life as a music student in one of the nation’s most exclusive programs. I think readers will find this different perspective on the double bass world and the music world in general to be quite interesting, and I am looking forward to reading these posts. You will be able to read all of Nick’s contributions under the articles link in the menubar or in the sidebar under contributors. Enjoy!
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Sorry for the long absence since the last post but I spent my summer at the Eastern Music Festival (EMF), and my schedule has been quite chaotic. EMF was a great festival, and one of the unique things about it was the faculty to student ratio of 2:1. I was privileged enough to study with Lenny Finkelshteyn, the principal of the North Carolina Symphony and a fantastic player and teacher. He attacked and helped me solve many technical issues that I will talk about in future posts. It was good to interact with a full section of working bass players, as well as bassists of all ages and success levels – some right out of college and some having jobs for 20 years. Another one of the great things at EMF was the many free seminars given by the faculty, one of which was performance anxiety.

Performance anxiety is something that everybody sometime will experience. It is not a question of how it will happen but when, and knowing how to deal with it. Performance anxiety can occur at different times for many people. Some performers only get nervous after performances, some during, and some before. Some even get nervous the next day. To start there are three types of performance anxiety –

Performance anxiety can be debilitating and can put a dent in your career but with some hard work and knowledge, the negative effects of performance anxiety can be turned positive. Some great tips and exercises are to -

Nerves are essential to playing. The adrenaline we feel before and while performing is what makes live concerts so interesting. One of my favorite techniques for helping performance anxiety is visualization. Find a comfortable place, whether it be in your home, outside or in a park, and close your eyes and relax. Start by imagining yourself before the performance or audition. Imagine yourself wearing the clothes that you will be wearing, feel the nerves you will feel before performing, then imagine yourself walking onto the stage, taking your seat, adjusting your instrument and warming up or taking your bow. Imagine opening your music or breathing and getting ready to perform. Then imagine playing through the entire piece. Imagine yourself playing all the fingerings and bowings and when done envision yourself standing, taking your bow and walking off the stage. Visualization will not rid you of all nerves, but it will make you familiar with them, and familiarity with nerves is the best way to eventually overcome them.

Remember, nerves are not debilitating to our playing if we accept them and learn to deal with them. Many performers are sidelined because of nerves, but with proper preparation for performing and an understanding of how to relax the body, nerves can be harnessed into adrenaline which makes our performances all the more exciting for the audiences.

Performance anxiety will always be there, but the more experienced of a performer you become, the better you will be able to handle it. Eventually, performing will become fun and you will start to enjoy connecting with your audience.

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About the Author

Admitted into the University of Cincinnati College-Conservatory of Music at age 16, Nicholas Hart is currently pursuing his Bachelor of Music degree as a scholarship student of Albert Laszlo. A product of the New York City Public School System, Nicholas attended the Juilliard School’s Pre-College Division where he studied with Eugene Levinson. Nicholas has performed in Solo, Orchestral, and Chamber ensembles throughout New York City in venues such as Lincoln Center, Carnegie Hall, and Symphony Space. Nicholas enjoys a long collaboration with the New York Pops, having performed with them and being one of the first recipients of their Martin J. Ormandy Memorial Scholarship. Additional studies include masterclasses with Harold Robinson, Timothy Cobb, David J. Grossman and Pasquale Delache-Feldman as well as summer study with Bret Simner. Nicholas has performed with such artists as Aaron Rosand and David Bilger, and aspires to play in a major symphony orchestra after college.

 

 

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Comments

One Response, Leave a Reply
  1. anxiety remedy
    28 August 2009, 4:18 am

    Thanks for the post! Deep breathing exercises are excellent for anxiety and many people report positive results from meditation. Some other natural anxiety remedies to look into are St.John’s Wort, SAMe, L-Theanine, and Tryptophan.

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