CBC 92: DaXun Zhang interview part 1

 
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We’re featuring an interview with and music from double bass soloist DaXun Zhang this week on Contrabass Conversations. The winner of numerous prestigious solo competitions, DaXun is a true virtuoso, capable of a level of musical expression and technical dexterity rarely seen on the instrument.

In this first segment of our interview (which we will conclude next week), we discuss DaXun’s early years on the instrument, his studies at the Central Conservatory in Beijing, and his relocation to the Interlochen Arts Academy in high school. We intersperse musical selections from DaXun’s recent self-titled solo album into the interview in the following order:

  • Invention No. 6 by J.S. Bach
  • Invention No. 11 by J.S. Bach
  • Capriccio di Bravura by Giovanni Bottesini

Learn more about DaXun on his website at daxunzhang.com. Enjoy!

About DaXun:

“If the bass is finally to produce a headliner, the instrument can have no better champion,” wrote The Washington Post of double bassist DAXUN ZHANG, who has indeed made his mark as a soloist on this unusual instrument.

In April 2007, Mr. Zhang won an Avery Fisher Career Grant, only the second double bassist in the history of this prestigious award. This summer he was invited by cellist David Finckel and pianist Wu Han to participate in the chamber music festival Music@Menlo in California and performs Schubert’s “Trout” Quintet at the Indiana University Summer Chamber Music Series. During the 2007-2008 season he continues his residency with Lincoln Center’s Chamber Music Society Two, and performs with Yo-Yo Ma’s Silk Road Project in a series of concerts and cultural exchanges in China. He performs as soloist with the University of Northern Colorado Symphony and gives recitals at Indiana University, Rodef Shalom Congregation (PA), and McCain Performances (KS).

Mr. Zhang has performed extensively with the Silk Road Project, including concerts with the Chicago Symphony Orchestra, at Carnegie Hall, and in Japan and California. With Mr. Ma he recorded the soundtrack to a 10-part documentary series on the Silk Road, which aired in Japan on NHK Television. The CD was released as “Silk Road Journeys: Beyond the Horizon” on Sony Classical. He has also joined with fellow Silk Road musician and pipa player Yang Wei and pianist Tomoko Kashiwagi to form the innovative chamber ensemble Qi Lin.

As concerto soloist, Mr. Zhang has appeared with orchestras including Orange County’s Pacific Symphony, the Monroe Symphony Orchestra, the Grand Rapids Symphony, the Chamber Orchestra of the Triangle and the Cedar Rapids Symphony Orchestra. He has given recitals at the Isabella Stewart Gardner Museum in Boston, the Kravis Center for the Performing Arts, the University of Georgia, Missouri State University, and at the Chinese Embassy in the Embassy Series in Washington, DC. He has also performed chamber music at the La Jolla Music Society’s Summerfest, the Linton Chamber Music Series in Cincinnati, the Strings in the Mountains Music Festival and the Vancouver Chamber Music Festival.

DaXun Zhang is the first double bass player to win the Young Concert Artists International Auditions and start a career under the auspices of Young Concert Artists. He made his New York debut sponsored by the Claire Tow Prize and his Washington, DC debut as a co-presentation with Washington Performing Arts Society. He also won the La Jolla Music Society Prize, the Orchestra New England Soloist Prize, and The Fergus Prize. In April 2006, Mr. Zhang performed Bizet’s Carmen Fantasy in at Jazz at Lincoln Center’s Rose Hall with Keith Lockhart conducting the Orchestra of St. Luke’s.

DaXun Zhang comes from a family of bassists in Harbin, China. He has been playing the instrument since the age of nine, and studied at the Central Conservatory of Music in Beijing beginning at the age of eleven. He continued his studies in the U.S. at the Interlochen Arts Academy and received his Bachelor of Music at the Indiana University School of Music, where he worked with Lawrence Hurst. He has served on the faculty of Northwestern University and was recently appointed Assistant Professor of Double Bass at the University of Texas at Austin.

Mr. Zhang was the first double bassist ever to win First Prize in the 2003 WAMSO (Women’s Auxiliary of the Minnesota Symphony Orchestra) competition, leading to a performance with the Minnesota Symphony Orchestra with Osmo Vanska, conducting. In 2001, Mr. Zhang was the youngest artist ever to win the International Society of Bassists Solo Competition. He has also received the Grand Prize of the American String Teachers Association National Solo Competition.

DaXun’s Website:

www.daxunzhang.com

Music Provided by:

Eric Hochberg -www.erichochberg.com

Special thanks to Daniel Chmielinski for technical assistance - www.carsleuth.net

Show Notes:

Release Date: 8/23/08

Length: 31:25

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Theme song by Eric Hochberg:www.erichochberg.com

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6 Responses to “CBC 92: DaXun Zhang interview part 1”

  1. Dear Mr. Heath,

    Impressive performance. My Regards to Mr. Zhang
    But;
    After following your bassblog for some time, i would like to offer you some ideas to make the content of your blog even more
    colorful.
    I think that you dont give enough tension to the “Bass culture” in Europe.
    Its not enouth to post only ONE POINT OF VIEW of the bass playing in europe or even in America.
    In the case of Doublebass virtuoso Guy Tuneh which is a symbol of a very unique way of playing, “No Limit” & dedication spirit, it is clear(& good so) why you wish to show him and to give him the stage in your blog (clear - he is phenomenal!).
    Guy Tuneh was the one who pushed (with his way of playing) so many other bassplayers to go the way of Solo and Chamber music, (pure individualism) without to be in an Orchestra before, against this old way of thinking that bassplayer can play only in an Orchestra.he gave so many musicians the power and the courage to do so, to stand by what is for them importent, But NEVER DISRESPECTED other bass players who chose to play in an Orchestra or to do other things, etc.
    But what about the others?
    Patkolo is showing about perfect playing - What about his way of Teaching???, Ruiz is an Amazing bassist that showes that it is possible to do both; Orchestra and Solo playing (let us hope that for long time),
    His Ex boss - Mr. Nabil Shehata that is no longer a member of the Berlin Philharmonic, is following Tuneh’s way of life: Solo but try to Conduct along teaching.
    Gaidos - one of the greatests bass players, composer, a Big Teacher and performer. Please post more from him! (Interview?) and others from that side of Europe.
    The Great Furtok: Great pure Bass playing what about an Interview?
    Wolfgang Güttler - One of the Teachers of the LEGEND Ovidiu Badila, and many other, (like: Furtok, etc.) what about Interview?
    What about some Jazz bassplayers like Avishay Choen from Israel?
    So much to show about, its never ending but please, bass playing is not only Solo individualism, what about the “Normal” bass
    players like me, Orchestra musicians and others.
    What about the bass Makers of europe?…
    What about Teachres in Europe?…
    What about the tradition in Europe…?
    What about Jordi savall…? (Could be cool for bassists also)
    Its clear, you would like to “show off” with your own people,
    but we have our good and many sides also.

    Just think about it, and thank you again for your time and for this post!

    Hope to get a replay from you soon,

    A.

  2. A note about the opening: I wouldn’t say that there is wide-spread knowledge about Rabbath the way there is about Gary Karr and especially Edgar Meyer, at least in the United States. Amongst classical musicians that are not bass players, he is completely unknown.

  3. Very importent point,
    to “A.”-Response no 1, & to Jason,
    After leastening the Guy Tuneh Interview, it is clear, Mr. Tuneh
    wish and think that it is very importent that as much as people will get the stage as an opportunity to express themself, and we can see and learn new ideas from everyone.
    So, i dont see any problem in Jason’s policy of running this blog, But indeed some subjects can get more cover.

  4. Great interview! Where can we buy Daxun’s CD?

  5. Nice try Jason,
    But Still, Guy Tuneh is the BEST !

  6. Dear “A.”

    I will answer your questions in the next episode of Contrabass Conversations (#93).

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