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Michael Klinghoffer, author of Mr. Karr, Would You Teach Me How to Drive a Double Bass?
Today’s episode features double bassist, author, conductor, and educator Michael Klinghoffer. Michael is a former Gary Karr student and is the author of the unorthodox and compelling book Mr. Karr, Would You Teach Me How to Drive a Double Bass?
Michael is one of the most interesting minds in the world of contemporary double bass. In addition to his book, he has a wealth of articles, videos, and resources on is website pertaining to bass, musicianship, education, and numerous other topics.
We talk about his first encounters with Gary Karr, the impetus behind writing his book, how not to hold the bass and bow, and integrating performance, conducting and composition, and where education is going in the near future. This conversation is a deep philosophical dive into technical and mental aspects of musical practice, thought, and development.
We’ll feature two selections from Michael’s album Mostly Transcriptions Vol. 2. We open the episode with an excerpt from the first movement of Mendelssohn’s Sonata No. 1 in Bb Major, and conclude with the final movement of Strauss’ Sonata in F Major. This album, along with Drive a Double Bass and an interesting solfege book titled The Bottesini Project.
Check out the following links from Michael–they contain a wealth of useful content on a variety of topics):
Michael Klinghoffer (Hebrew: ????? ?????????), Author of Mr. Karr, Would You Teach Me How to Drive a Double Bass?, Dean of Performing Arts and Senior Lecturer of Double Bass at the Jerusalem Academy of Music and Dance, Israel.
Michael Klinghoffer, double bass performer, conductor and educator studied under Gary Karr at Yale University, where he received Master of Music and at the Hartt School University of Hartford, where he received his Doctor of Musical Arts.
He has been assistant principal bass player in the Israel Symphony Orchestra and in the Israel Sinfonietta.
Currently, he performs solo concerts, recitals and chamber music and conducts master classes in Israel and abroad. His repertoire ranges from contemporary Israel music, (much of it composed for him), to his own arrangements for double bass, which have been published in the U.S. and in Europe and recorded on two compact discs.
He has published articles on Music Education and on Pedagogy in Israel professional periodicals as well as in the U.S. “Music Education in Institutions of Non Formal Education” was published by MATAN in collaboration with the Israeli Ministry of Education.
Since 1987, he has been on the faculty of the Jerusalem Academy of Music and Dance, conducting orchestras, teaching the double bass and other subjects. He was the Head of the String Department, the Dean of Students and he is currently serving as the Dean of Performing Arts and is the Direcor of the Jerusalem Consevatory Chamber Orchetsra.
Along with his academic commitments and performing engagements, and after being Music Director for seven years at MATAN, (Arts and Culture Project for Youth), Dr. Klinghoffer still devotes much time and energy to working with young musicians from diverse backgrounds all over Israel.