Bill’s BMM columns:

Bill Harrison | Bass Musician Magazine [the face of bass]

The Untold Secret to Melodic Bass

Jon Burr interview (MP3)

This week’s episode of Contrabass Conversations features an interview with double bassist David Grossman, a member of the New York Philharmonic bass section and an active jazz bassist. Hosted by John Grillo, this interview covers David’s early musical experiences, his dual interest in jazz and classical music, current projects, his philosophy and approach as a teacher, and a variety of other topics.

About David:

Bassist David J. Grossman began playing with the New York Philharmonic as its youngest member in December 1999 before graduating from The Juilliard School in May 2000. Born and educated in New York City, Mr. Grossman has performed as double bassist and pianist in orchestral, chamber, and jazz venues worldwide. He is a member of the double bass faculties of the Manhattan School of Music and The Juilliard School, and regularly gives master classes across the country. (view complete bio)

Tracks featured:

• Thirds The Charm – from The Bass Of Both Worlds Jazz (iTunes link)
• Janacek: Pohadka (Fairy Tale) Mvt. 3 – from The Bass Of Both Worlds Classical (iTunes link)

More information on David’s recordings is available on his website davidjgrossman.com.

Other John Grillo-hosted podcasts:

• Ed Barker interview
• The State of the Orchestra
• Differences in Opera and Orchestra Playing
• Opera Excerpt Breakdown
• Orchestral Excerpt Breakdown
• Owen Lee interview
• Max Dimoff interview
• Dan Krekeler interview
• Ranaan Meyer interview
• Lawrence Hurst interview
• Jack Budrow interview
• Barrie Kolstein interview
• John Grillo Recital Showcase
• John Grillo interview

We’re featuring an interview with jazz bassist Todd Coolman on the podcast. This episode is guest hosted by double bassist Win Hinkle, who interviewed Rufus Reid previously for Contrabass Conversations as well.

After listening to this interview, I went out and downloaded Perfect Strangers, Todd’s newest album, and I highly recommend it to listeners. Truly top-notch and extremely enjoyable playing all around! We’ll begin today’s episode with a brief excerpt from Crescent City Ditty, and well conclude with Todd’s bass solo from Connotation. Both excerpts are from Todd’s new album and you can find it on iTunes here.

About Steve:

Steve LaSpina has been a prominent bassist on the New York and national scene for over twenty years.   During that time, he has played and recorded with many great musicians in jazz history. He was a regular band member, toured and recorded with saxophonists Benny Carter, Stan Getz and Phil Woods, vocalists Joe Williams and Mark Murphy, trumpeters Clark Terry, Chet Baker and Randy Brecker, and guitarist Pat Martino. He has spent the last decade traveling around the world and recording with the legendary guitarist Jim Hall, has appeared on six of his recordings, including These Rooms featuring Tom Harrell.

Steve performs on a Wan Bernadel bass from the String Emporium, which is a sponsor for doublebassblog.org and Contrabass Conversations. We thank the String Emporium for their continued sponsorship and encourage folks to check out their instruments (they also have good deals on bows) if they like what they hear from Steve in the following video:

Video Download Link (266 MB)

We’re also featuring excerpts from “Duo,” a track from the Art Davis Quartet album Life and featuring Art Davis, John Hicks, Idris Muhammad & Pharoah Sanders. This album (along with other music from Art’s considerable career) is available through iTunes.

Tim also created a timeline (PDF) detailing milestones in Art’s career:

Art Davis Timeline

About Art Davis:

In a musical career that has spanned four decades, Dr. Art Davis has played his bass with a myriad of the greatest jazz, classical, and popular artists in the world. He has shared his talents with not only the best jazz musicians (John Coltrane,Max Roach, Dizzy Gillespie, Lena Horne, Thelonius Monk, Louis Armstrong, Count Basie, Quincy Jones, etc.), but with notable figures from popular music such as Judy Garland, Bob Dylan, Minne Pearl, Barbara Streisand, Hank Williams. Davis’ career has also seen performances with major orchestras such as the National Symphony, NBC Symphony, New York Philharmonic, Los Angeles Philharmonic, Radio City Music Hall Symphony, Westchester Symphony, Orange County Symphony and others.

Davis studied the tuba as well as the piano as a boy in his hometown of Harrisburg, Pennsylvania before switching to the bass in high school. He won numerous awards on both tuba and double-bass while attending high school. Upon graduation, he moved to New York to study via scholarship at both theManhattan School of Music as well as the Juilliard School of Music. While attending the latter he studied with world renown cellist Lazlo Varga andAnselme Fortier, who was principal bassist with the New York Philharmonic at that time. He earned a B.A. degree, triple major in psychology, music, physics, summa sum laude from Hunter College, City University of New York.

Art Davis’ recording debut came in 1958 at the Newport Jazz Festival, with Max Roach’s group that included the legendary Booker Little and George Coleman. Davis maintained a strong personal relationship with Max, and Booker Little became one of his best friends.

John Coltrane came into Art Davis’ life while Davis was working with Max Roach’s group at Small’s Paradise in Harlem. Coltrane at that time was in Miles Davis’ band and between sets asked Art if he would like to “practice” with him. Art agreed and Coltrane replied “How about tomorrow morning?” At 8:00 the following morning John Coltrane was in the lobby of Art’s hotel and called him on the house phone. After that first meeting, the two practiced regularly for about a year, the sessions lasting for many hours without a break. It was during this year that John Coltrane wrote the tune “Giant Steps”. Davis credits the association with John Coltrane as the most intense and enriching musical experience of his career. Until Coltrane’s death in 1967, Art remained close musically and personally with him and was a member of the bands on several Coltrane albums including, “Ascension”, “Africa Brass I and II”, “Olé! Coltrane”, and others. Art’s discography as a member of Coltrane’s groups also includes the original recording of “A Love Supreme” (which remains unreleased) with Coltrane’s regular quartet and Archie Shepp. Art also toured intermittently with John Coltrane. Due to Davis’ studio and other commitments, he was unable to become a permanent member of Coltrane’s quartet, but John insisted on their continued relationship.

Then, in 1959, Davis joined Dizzy Gillespie’s band and toured for two and a half years. Weary of the road he returned to New York and free-lanced. In 1961 Art became the second African-American member of the NBC Staff Orchestra, working regularly on the Merv Griffin, Jack Paar, and Johnny Carson shows (and others), as well as performing in the New York studios playing jingles, films, and freelancing with performers.

When the Griffin show moved to Los Angeles in 1971 Davis went back to school to pursue his deep interest in psychology, earning a masters degree in Experimental Psychology from the City College of the City University of New York and a masters degree and a Ph.D. in clinical psychology from New York University by 1982. He supported himself while in college by teaching and performing in Broadway shows.

After receiving his doctorate, he devoted four years to psychology patients and teaching in medical centers and colleges. In 1986, Davis moved to southern California, where he currently teaches college courses and maintains a professional practice as well as playing concerts, clubs, and recordings.Throughout his busy career, Davis finds time to encourage young people to strive toward their highest professional ambitions. His fan club decided to reflect this concern and established a scholarship program for deserving students.

Interviewer: Tim Wolfe, Jr. – myspace.com/timwolfejazz

Interviewee: Jim Miller

Subject: Art Davis – www.artdavis.com

Our interview with jazz bass legend Rufus Reid, conducted by Win Hinkle, has proven to be one of our most popular episodes of Contrabass Conversations (along with our Steve Rodby interview, which was guest hosted by Kells Nollenberger–the popularity of these interviews shows that maybe I should stay off the mic!).

Interview Link (redirects to CBC site)

About Rufus Reid:

Born on February 10, 1944 in Atlanta, GA., Rufus Reid was raised in Sacramento, California where he played the trumpet through junior high and high school. Upon graduation from Sacramento High School, he entered the United States Air Force as a trumpet player. During that period he began to be seriously interested in the bass. After fulfilling his duties in the military, Rufus had decided he wanted to pursue a career as a professional bassist. He moved to Seattle, Washington, where he began serious study with James Harnett of the Seattle Symphony. He continued his education at Northwestern University in Evanston, Illinois, where he studied with Warren Benfield and principal bassist, Joseph Guastefeste, both of the Chicago Symphony. He graduated in 1971 with a Bachelor of Music Degree as a Performance Major on the Double Bass.

The MidAtlantic Arts Foundation awarded Rufus The 2005 Mellon Jazz Living Legacy Award for his dedication to America’s National Cultural Treasure: Jazz, for his personal and professional commitment to Jazz Education in the Mid-Atlantic Region. The International Society of Bassists presented Rufus with their highest honor, The Distinguished Achievement Award, in 2001. The New Jersey Chapter of the IAJE named him OUTSTANDING EDUCATOR of 1999. The International Association of Jazz Educators awarded Rufus the Humanitarian Award in 1997 BASS PLAYER magazine, awarded Rufus the 1998 Jazz Educator Achievement Award.

My friend Kells Nollenberger guest interviewed Steve Rodby for Contrabass Conversations in 2007, and this has ended up being one of our most popular interviews. Not only has Steve played bass for the Pat Metheny Group (playing on every record since 1980), but he co-produced the group’s last five albums, winning 10 Grammy Awards along the way. Check out this excellent interview if you haven’t in the past!

We’re chatting with jazz bassist Jon Burr on this week’s Contrabass Conversations episode. In addition to an active career recording and performing original tunes with the Jon Burr Quartet, Jon has toured and recorded with many great jazz masters, including Stan Getz, Chet Baker, Horace Silver, Hank Jones, Art Farmer, Stephane Grappelli (from 1986-1997), Sir Roland Hanna, Dorothy Donegan, and Buddy Rich. From 1980 – 1985 he toured with Tony Bennett; he has also worked with Lainie Kazan, Rita Moreno, Barbara Cook, Eartha Kitt, among others. Jon was a founding member of violinist Mark O’Connor’s “Hot Swing” trio, with guitarist Frank Vignola.

In our interview, we discuss Jon’s early years on the bass, his time spent touring with Stephane Grappelli and Tony Bennett, his upcoming book “The Untold Secret to Melodic Bass Playing,” upcoming projects, as well as advice for younger players coming up in the business right now. After the interview, we feature “Nobody Said It Was Easy,” one of Jon’s original tunes.

Learn more about Jon at his website jonburr.com and his food blog highfibercooking.com, and find him on Twitter at twitter.com/jonburr.