- US News Ranking: #146 (tie) in National Universities
- US News Overall Score (out of 100): 38
- In-State Tuition & Fees 2016-17: $7,084
- Out-of-State Tuition & Fees 2016-17: $18,244
- Room & Board 2016-17: $14,812
- Total Enrollment: 34,254
- Acceptance Rate (from 2015): 34%
- Student – Faculty Ratio: 28:1
- 4 year graduation rate: 30%
- % of undergrads receiving Financial aid: 56%
- Average Financial Aid: $9,900
Double Bass Statistics
- Average number of undergraduate bass students: 4
- Average number of graduate bass students: 1
- Studio Class, Bass Ensembles
What Alumni Are Doing
- one recent graduate is about to start graduate studies at Cincinnati Conservatory of Music
- another graduate (Music Education major) has a teaching position in a nearby school district
Perspectives from the Bass Faculty
Q: What are some of your favorite experiences teaching at your school?
A: SDSU has a great program for Music Education majors (with an extremely high job placement rate for those who finish the credential program) and also for Performance majors who are looking to bring their level higher and possibly apply to competitive graduate programs.
About The Bass Faculty
Jeremy Kurtz-Harris has a diverse musical background that includes solo, chamber, and orchestral performance. He has been principal bassist of the San Diego Symphony since 2004, and also was the acting associate principal bass with San Francisco Symphony for the 2015-16 season (performing as principal for the majority of the season) while on sabbatical from San Diego. He is the winner of numerous competitions, including the 1997 International Society of Bassists solo competition. He performed Pulitzer Prize-winning composer John Harbison’s bass concerto with the San Diego Symphony in 2007, and has performed solo recitals throughout North America. He is on the faculty of San Diego State University. His CD “Sonatas and Meditations” was released in 2008 in partnership with Houston Classical Radio, KUHF.
Bob Magnusson, much in demand as a jazz, pop, and classical bassist, also is a great string bass teacher. His extensive studio work, making jazz recordings, television spots, film scores, and jingles, includes a personal discography in excess of 150 albums and CDs. Leonard Feather of the Los Angeles Times wrote: “His solos are models of creative, spontaneous artistry. His tone is full, rich and consistent; he is one of those masters who can achieve effortlessly any phrase that comes to his mind. His basic function as a rhythm player is fulfilled no less resourcefully when the others solo…”
In addition to stints in the Las Vegas Symphony Orchestra and the San Diego Symphony, Bob also has performed with many pop and jazz greats, including Buddy Rich, Sara Vaughan, Jimmy Cobb, Art Pepper Quartet, Benny Golson Quartet, Joe Farrell Quartet, Linda Ronstadt, Natalie Cole, Neil Diamond, Bonnie Raitt, 10,000 Maniacs, Madonna, Hank Jones, Cedar Walton, Jimmy Heath, Art Farmer, Kenny Barron, Freddie Hubbard, Slide Hampton, Billy Higgins, Carl Fontana, Tommy Flanagan, Mike Wofford, Holly Hofmann, Kenny Burrell, Roger Kellaway, Randy Porter, Ernie Watts, Eddie “Cleanhead” Vinson, Peter Erskine, Bobby Shew, Bill Mays, Shorty Rogers, Bob cooper, Lou Donaldson, Clifford Jordan, George Cables, Victor Lewis, Joe Pass, Laurindo Almeida, Bud Shank. In addition to his many appearances in Las Vegas, Los Angeles, and San Diego, Bob has done extensive traveling, performing in many of the world’s finest concert halls such as Carnegie Hall, Lincoln Center, and Kennedy Center for the Performing Arts. He has made many trips to Europe, Japan, Australia, New Zealand, and Central and South America with various artists.
Bob also has received notoriety as a teacher and clinician. He was an active faculty member of Musician’s Institute in Hollywood, California from 1977-1996. In 1998 he joined the faculty at San Diego Mesa Community College and the Coronado School of the Arts where he teaches high school and college students about harmony and theory, jazz improvisation, etc. He also enjoys working with private students. Bob has been an instructor at the Centrum School of Creative Arts in Port Townsend, Washington. Adding to his many achievements, Bob wrote a book, “The Art of the Walking Bass,” which was published by the Hal Leonard Publishing Company in 1999.
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