Pascale Delache-Feldman, bass faculty
- US News Ranking: #144 (tie) in National Liberal Arts Colleges
- US News Overall Score (out of 100): 44
- Tuition & Fees 2016-17: $51,797
- Room & Board 2016-17: $14,060
- Total Enrollment: 329
- Acceptance Rate (from 2015): 89%
- Student – Faculty Ratio: 6:1
- 4 year graduation rate: 22%
- % of undergrads receiving Financial aid: 75%
- Average Financial Aid: $31,957
- 2017 Best Hidden Gem Music School by Music School Central (#3)
Double Bass Statistics
- Average number of undergraduate bass students: 3
- Average number of graduate bass students: 4
- Studio Class, Orchestral Repertoire Class, Bass Ensembles, Pedagogy for lower strings
What Alumni Are Doing
- Recent Longy graduate, Jose Juvinao was nominated for a Grammy and a Latin Grammy and is double bass professor at the Universities of Antioquia and Eafit (Colombia). He is also the producer for the independent label Merlin Productions and general manager of Bass en Vivo Colombia, a festival dedicated to the double bass in Latin America.
- Julia Keller is the double bass professor at Lone Star and Lee College and is a member of Strings and Hammers, a chamber music group dedicated to new and eclectic music. In addition, she holds a Master of library degree and has interned with the Buffalo Philharmonic, The National Music Festival and the Houston Symphony ensemble libraries.
Perspectives from the Bass Faculty
Q: What are some of your favorite experiences teaching at your school?
A: I love the intimate setting of the school. It allows me to give more attention to each individual student and to encourage and foster their curiosity. I recently performed the Bottesini Gran Duo Concertante with one of the violin faculty member and the Longy Conservatory Orchestra and joined the bass section for Beethoven Symphony #6 on the 2nd half. It was so great to mentor and perform with them and to see them so engaged in the process!
Because of its small size, students have the opportunity to explore their interest in many different musical style and are encouraged to do so. Many of my students have taken elective classes trying their hand on the violone, joining a jazz ensemble, taking conducting lessons, or exploring Alexander or Feldenkrais method just to name a few. Also all students are required to take the pedagogy course for lower strings and teach private lessons within the local public school system.
Longy has a lot to offer and was ranked #3 in the 2017 Best Hidden Gem Music School by Music School Central!
Boston has a rich and vibrant cultural life with so many opportunities for students to not only listen to great music and see great arts but to also perform with local musical groups and teach as well.
About The Bass Faculty
French double bassist Pascale Delache-Feldman enjoys a diverse career performing as a soloist, chamber and orchestral musician, recording artist, commissioner of new music, educator and founder and artistic director of the Boston Bass Bash.
As a soloist, she has performed with the Merrimack Valley Philharmonic, the North Shore Philharmonic, Greensboro Festival Orchestra, Longy Chamber Orchestra and others. New Music Connoisseur described her playing from a recent concert as having “technical certainty and musical imagination” and by the Phoenix as “ a gifted colorist ….who produced an entire range of orchestral effects”.
An avid chamber musician, she has collaborated with violinists Midori, Joel Smirnoff, St. Petersburg String Quartet, Borromeo String Quartet, members of the Lark String Quartet, Fidelio; pianists Virginia Eskin, Victor Rosenbaum, Randall Hodgkinson, and with soprano Dawn Upshaw. She was a prizewinner at the Prague International Chamber Music Competition and won first prize with honors for double bass performance at the Conservatoire National Supérieur de Musique de Paris. She has recorded CDs of chamber music with the Albany, Archetype, Arsis, AFKA and CRI labels and has appeared on NPR’s Artbeat, WGBH Boston, Vermont Public Radio, France Inter, Radio France Toulouse, and local television stations.
As an orchestra player, Ms. Delache-Feldman has performed with the New York Philharmonic, Boston Symphony, Boston Pops, Toulouse Capitole National Orchestra (France), and as principal bassist with Metamorphosen Chamber Orchestra, New England String Ensemble and BMOP, among others.
As co-founder of Duo Cello e Basso (formerly the Axiom Duo) with cellist Emmanuel Feldman, she has concertized both in the US and in Europe at such distinguished venues as the Phillips Collection, Jordan Hall, Sanders Theater, Liszt Academy Budapest, Altes Rathaus Vienna, Radio France Paris and many others. Duo Cello e Basso’s repertoire champions music of our time and collaborates with dynamic artists from many genres. The duo has arranged more challenging and diverse music from Bach to Bartók and has commissioned numerous pieces including composers John Harbison, Daniel Pinkham, John McDonald, Eric Sawyer, Andrew List, Mark DeVoto, Alexander Blechinger, Elena Ruehr, Hayg Boyadjian and many others.
The duo debuted on the Boston Celebrity Series in collaboration with the Rebecca Rice Dance Group and has realeased their first CD on Synergy Classics.
Since 2001, Ms. Delache-Feldman has been the founder and artistic director of the Boston Bass Bash, an international festival dedicated to the double bass that included guests Rufus Reid, Michael Moore, Edwin Barker, Larry Wolfe, Don Palma, Tim Cobb and many others.
Ms. Delache-Feldman teaches double bass at the Longy School of Music of Bard College, Tufts University, Brown University, New England Conservatory and Rivers School of Music and has been recently invited to give masterclasses at Eastman and Berklee among others. She has taught at the Yellow Barn and Summit Music Festivals, and is on the faculty of the Killington Music Festival, Foundation for Chineses Performing Arts and the Wellesley Composers Conference and Chamber Music Center.
A second-generation bassist, she studied with her father Jean-Claude Delache from age 10 at the Toulouse Conservatory, later studying with Jacques Cazauran and Frédéric Stochl at the Paris Conservatory where she earned her Bachelor of Music. Ms. Delache-Feldman came to the US to study with Roger Scott at the Curtis Institute of Music, where she received her Artist Diploma. She has also studied with Edwin Barker, Evgeny Kosolov, and violinist and renown pedagogue Burton Kaplan. Ms. Delache-Feldman was a Tanglewood Music Center Fellow and participated in the Pablo Casals and Schlesswig Holstein Musik Festivals.
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