- State: Pennsylvania
- State School (Public)
- School Website
- Music School Central Top 10 Colleges for Jazz 2014 (#8)
- Joe Conyers
- Robert Kesselman
- John Hood
- Anne Peterson
- Heather Miller Lardin – early music ensemble director
- US News Ranking: #118 (tie) in National Universities
- US News Overall Score (out of 100): 44
- In-State Tuition & Fees 2016-17: $15,688
- Out-of-State Tuition & Fees 2016-17: $25,994
- Room & Board 2016-17: $11,146
- Total Enrollment: 38,027
- Acceptance Rate (from 2015): 56%
- Student – Faculty Ratio: 14:1
- 4 year graduation rate: 43%
- % of undergrads receiving Financial aid: 68%
- Average Financial Aid: $6,812
About The Bass Faculty
Joseph H. Conyers was appointed assistant principal bass of The Philadelphia Orchestra in 2010. He joined the Orchestra after a one-and-a-half year tenure with the Atlanta Symphony, three-and-a half years as principal bass of the Grand Rapids Symphony, and four summers as a member of the Santa Fe Opera Orchestra.
Described by the Grand Rapids Press as “a lyrical musician who plays with authenticity that transcends mere technique,” Mr. Conyers has performed with many orchestras as soloist. In 2008 he was featured with the Grand Rapids Symphony in a concerto commissioned by that ensemble and written for him entitled Prayers of Rain and Wind by John B Hedges. Mr. Conyers has also performed with the Alabama Symphony, the Flagstaff Symphony, the Savannah Symphony and Civic orchestras, the Dekalb Symphony, and the Sphinx Symphony, having won Second Prize at the 2004 Sphinx Competition in Detroit. Engagements during the 2012-2013 season include solo performances with the Chamber Orchestra of Philadelphia, the Richmond Symphony, and the Main Line Symphony.
As an orchestral musician Mr. Conyers has performed throughout the United States and Europe. He served as principal bass of the Philadelphia Virtuosi Chamber Orchestra, with which he traveled extensively and recorded on the Naxos label. He also served as assistant principal bass for Symphony in C (formerly the Haddonfield Symphony). He has been a fellowship student and held principal positions at numerous music festivals, including the Tanglewood Music Center, the Aspen Music Festival and School, the Verbier Music Festival in Switzerland, the Brevard Music Center, and the Britten-Pears Music Festival in England. Mr. Conyers has performed with a number of major orchestras, including the Boston and Detroit symphonies, the Minnesota Orchestra, and the City of Birmingham Symphony in a number of prestigious venues, including Carnegie Hall, Kennedy Center, Lincoln Center, and the Musikverein in Vienna.
A recipient of numerous awards and honors, Mr. Conyers attended the Curtis Institute of Music and graduated with his bachelor’s degree,e studying with both Harold Robinson, principal bass of The Philadelphia Orchestra, and double bass soloist Edgar Meyer. Other mentors have included David Warshauer, principal bass of the former Savannah Symphony; Daniel Swaim; and Albert Laszlo. In 1999 Mr. Conyers was one of the first guests on NPR’s From the Top with host Christopher O’Riley in one of its pilot shows. In 2007 he was named one of “30 Leaders 30 and Under” by Ebony magazine. He was the inaugural recipient of the Sanford Allen Award from the Sphinx Competition, and in February of 2010 he was the first Sphinx Competition laureate to serve on the distinguished jury panel for the Competition.
Sometimes juggling a studio of over a dozen students, Mr. Conyers is committed to education and community engagement through music. He was heavily involved in developing the curriculum for the Atlanta Symphony’s Sound Learning program—a program that integrates music into the school curriculum at local elementary schools. He served as adjunct faculty at Clark Atlanta University and was an adjunct professor of bass at Calvin College (MI); he continues a connection with the school as a guest clinician at the annual Calvin College String Summit. Mr. Conyers has taught at numerous summer music festivals, including the Masterworks Festival in Winona Lake (IN), the New York State Summer School of the Arts, and the Philadelphia International Music Festival. He also collaborates with Time for Three bassist (and Curtis classmate) Ranaan Meyer for the development of Wabass Workshop, an institute for the 21st-century bass player. Last fall Mr. Conyers was added to the double bass teaching faculty at Temple University in Philadelphia.
For much of 2010 Mr. Conyers was featured in a television commercial as a part of a Mutual of Omaha advertisement campaign. His “aha moment” was about his inspiration founding a nonprofit in Savannah called Project 440 (project440.org). Formerly known as MusicAlive!, Project 440 has reached thousands of youths—exposing children and adults to classical music throughout the Savannah region. Broadening on that mission and acknowledging how the classical music industry must continually evolve with our ever changing world, Project 440 educates musicians from around the country on how to become active, relevant, and integral pillars within their communities. In its first year the Project 440 High School Seminar was presented to youth of the Atlanta Symphony Youth Orchestra and to semi-finalists of the Sphinx Competition. Additionally Project 440 partners with the Curtis Institute of Music in presenting the Community Artist Program—a credited course that allows students of Curtis to explore creating musical projects that affect the world around them.
Mr. Conyers serves on the board of directors of the American String Teachers Association as artist representative, the Board of Overseers for the Curtis Institute of Music, and the National Advisory Board for the Atlanta Music Project. He performs on the “Zimmerman/Gladstone” 1802 Vincenzo Panormo double bass, which he has affectionately named “Norma.”
Robert Kesselman, a native Philadelphian, attended Temple University and the Curtis Institute of Music. In 1980 he won a section bass position with the Pittsburgh Symphony, where he remained until 1987. He had always dreamed of playing in The Philadelphia Orchestra, and in 1987 he was accepted into the bass section. When he is not playing in the Orchestra, he enjoys teaching, solo playing, and performing chamber music. He was formerly on the faculty of the Peabody Conservatory in Baltimore.
A native of Amarillo, Texas, John Hood joined The Philadelphia Orchestra in 1982. Previously he was a member of the National Symphony (1978-82), the Santa Fe Opera Orchestra (1978), and the North Carolina Symphony (1977-78). He has also performed with the Toledo Symphony.
Mr. Hood has appeared with several chamber music groups in the Philadelphia region. He is currently on the faculty of Temple University and also teaches privately. He has previously taught at the Peabody Conservatory, Trenton State College (now the College of New Jersey), and the Indiana University Summer Music Festival.
Mr. Hood attended the Interlochen Arts Academy, where he was a student of Peter Spring, and the University of Michigan in Ann Arbor, where he studied with Lawrence Hurst. As a student, Mr. Hood participated in the Tanglewood Music Festival. He comes from a musical family; his mother was a piano teacher and his two brothers are professional musicians.
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