Love it! There’s an unexpected middle section…
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Adaptistration Drew McManus on orchestra management
Brian Dickie Life as General Director of Chicago Opera Theater
Butts In The Seats Musings on Practical Solutions For Arts Management (Joe Patti)
Neo Classical Holly Mulcahy on the future of classical music
non divisi Frank Almond writes a column instead of practicing
Scanning The Dial Marty Ronish and Jack Allen on classical music in broadcasting
Sticks and Drones Two conductors, on the beat with Bill Eddins and Ron Spigelman
There's Always Room For Cello The adventures of Rosin Hood; he stays on the pitch and gives you the score (Lynn Harrell)
Adaptistration Drew McManus on orchestra management
Brian Dickie Life as General Director of Chicago Opera Theater
Butts In The Seats Musings on Practical Solutions For Arts Management (Joe Patti)
Neo Classical Holly Mulcahy on the future of classical music
non divisi Frank Almond writes a column instead of practicing
Scanning The Dial Marty Ronish and Jack Allen on classical music in broadcasting
Sticks and Drones Two conductors, on the beat with Bill Eddins and Ron Spigelman
There's Always Room For Cello The adventures of Rosin Hood; he stays on the pitch and gives you the score (Lynn Harrell)
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What’s really unexpected is the left-handed technique of one of the players — that’s really unusual. I wonder if he traces his lineage directly to Red McKenzie, or if he comes through a variant line.