https://youtu.be/Vk1fOs_OQd8 For years, I’d heard about “rules” that I was supposed to follow when figuring out bass fingerings. Honestly, it was a bit confusing to me. They all seemed to conflict with each other, and I was never sure where to begin....
The pedagogical influence of Francois Rabbath on the double bass world has been tremendous. Once seen as a dramatic departure from traditional bass technique, the Rabbath approach has become mainstream and perhaps the most commonly used method for young bassists. The...
traducido por Angel Chavez Una de las partes más gratificantes de la creación de esta edición de Urtext ha sido descubrir una nueva pieza. Al principio pensé que debía ser un nombre alternativo para Capriccio di Bravura, pero al inspeccionarlo, era una obra sustancial...
Check out the Spanish translation of this article here! We recently added Stephen Street’s Urtext Edition of Bottesini’s Concerto di Bravura to our Sheet Music Store, prompting a common question: Why is Bottesini’s music written down an octave? The...
The way that Dennis Whittaker approaches the bass resonates so strongly with me. Maybe it’s our shared background and similar pedagogical influences. Regardless, there’s something in the way he lays things out that makes me want to drop everything...
Inside The Arts
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Adaptistration
Drew McManus on orchestra management
Brian
Dickie
Life as General Director of Chicago Opera Theater
Butts In The Seats
Musings on Practical Solutions For Arts Management (Joe Patti)
Neo
Classical
Holly Mulcahy on the future of classical music
non
divisi
Frank Almond writes a column instead of practicing
Scanning
The Dial
Marty Ronish and Jack Allen on classical music in broadcasting
Sticks
and Drones
Two conductors, on the beat with Bill Eddins and Ron Spigelman
There's Always Room
For Cello
The adventures of Rosin Hood; he stays on the pitch and gives you the
score (Lynn Harrell)
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